Creekstone Press

Northern BC's publisher

Celebrating 20 Years of Creekstone Press

New from Creekstone Press

Shared Histories

Shared Histories looks deeply into what happened at the intersection of settler dreams and Witsuwit’en reality in the small northwestern British Columbia town of Smithers. Planted in a swamp at the base of a mountain, this railway town tried to exclude the region’s first inhabitants. This collection of hidden histories reveals how generations of Witsuwit’en made a place for themselves in town despite local, provincial, and national efforts push them, and indeed all Indigenous peoples, to the fringes. Read more

Mapping My Way Home: A Gitxsan History

Today the adjacent villages of Gitanmaax and Hazelton form one of the most picturesque communities in all of western Canada—a tiny, tourism mecca nestled in Gitxsan territory at the foot of an iconic mountain in the heart of the Skeena watershed. But 150 years ago these neighbouring villages were the economic hub of the north when packers, traders, explorers, miners, surveyors and hundreds of tons of freight passed through from Port Essington on the coast east to the Omineca gold fields, from Quesnel north to Telegraph Creek. Mapping My Way Home, winner of the 2017 Roderick Haig-Brown regional book prize, traces the journeys of the European explorers and adventurers who came to take advantage of the opportunities that converged at the junction of the Skeena and Bulkley rivers. The author, Gitxsan leader Neil Sterritt, also shares the stories of his people, stories both ancient and recent, to illustrate their resilience when faced with the challenges the newcomers brought. And finally he shares his own journey from the wooden sidewalks of 1940s Hazelton to the world of international mining and back again to the Gitxsan ancestral village site of Temlaham where he helped his people fight for what had always been theirs in the ground-breaking Delgamuukw court case. Read more

Second Growth

Gillian Wigmore writes about this new collection of poetry: I can't tell you how long I've waited for this voice out of the north. Like Atwood, Fabienne Calvert Filteau doesn't ask for permission to see and speak in a new way; like Lilburn, her reverence for and her place within the natural world is the paramount question; like McKay, inevitably the humour and humanity seep through. Read more

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